Top Shows of 2017.

Top shows of 2017.

Happy New Year! What better way to reflect on the past year than in theatre, so with much further ado, here are my top shows that I saw in 2017. I usually do them in order, however I saw so many shows this year, that the best I could do was rattle it down to my equally top five.

Sweeney Todd at the Barrow Street Theatre

Sweeney Todd 
Barrow Street Theater

I saw this a couple of weeks ago, just before I left New York. It was, surprisingly, the first professionally done Sondheim musical I’ve seen. I was surprised as you are! It was a brilliantly immersive piece of theatre, definitely aided by our cheeky upgrade from a very nice usher from $30 seats to $200 seats, right in the middle of the action. The acting was fantastic, and I was both terrified and thrilled throughout the whole show.

Torch Song

TORCH SONG
By HARVEY FIERSTEIN
2ND Stage

I saw this at the right time in my life I think. It was what I needed to see. The acting was brilliant, and I loved the whole story. The attention to detail from the neon sign of the title to the motif in sign language of “I love you, but not enough”. The simplicity of the show and the symbolism made the punch that more powerful. I think it’s an important piece to be shown, and it was very moving. It had an air of melancholy, however still left you with a tiny bit of hope to reach out for at the end.

Dear Evan Hansen

ap_17163052478915_wide-2a31b8b8ade54f82e40d59e9a5989d1fb11a0788-s900-c85It’s no surprise that this made my top five this year. Again I think it’s one of those shows that you have to see at the right time in your life. I was very lucky to see the original cast, and I enjoyed the show immensely. It is no surprise Ben Platt won a Tony for his performance. It’s a contemporary story, that flourishes within the music and the production aspects of the piece. The production designer did a brilliant job of capturing a limbo of technology.  was a melancholic, funny, technical wonder, with a hint of hope strung throughout it.

Much Ado about Nothing

Much-Ado-About-Nothing-Shakespeares-Globe1-700x455

This being my favourite Shakespeare I was thrilled to see it at the Globe Theatre. This production was full of life, love and colour. The Mexican revolution breathed new life into the show, encouraged by the cast that was completely in sync, and the vendetta against Americans. I love the play and I loved this production. It’s Shakespeare in the Shakespeare Globe, what could be better?

Once on this Island

04onceisland1-superJumboI loved this show, because it felt different from the other things I had seen on the New York stage. Probably due to the lack of white actors, and western narrative, that despite all the cries from diversity on the west end and broadway stages, still seems to dominate the theatrical world. The cast were extremely talented, however the stage and costume design of the production is really what shone for me. Starting with simple ideas they flourished into a fully immersive set and colourful array of costume. This show was dripping with passion, culture, life and colour.

Honourable mentions. There are so many shows that I just couldn’t leave out. 

Woyzeck – An intense and foreboding production, with brilliant acting from John Boyega.

The Mad Ones–  A Brilliant off-broadway coming of age musical, with sweet music and a moving narrative.

Spongebob Squarepants– I know, I know, but it was surprisingly good, and weirdly political. The music was fantastic and the production value was insane.  Ethan Slater, Spongebob, made the show.

Life of Galileo– A beautiful show, with the stars, science and politics interwoven into the production. “Truth is in the trial of a moment, not in the past”

Amadeus – A whirlwind of human emotion and the madness of genius, with a very contemporary look on a very classic story.

Hamlet – Fantastic acting from Andrew Scott, with a darker and more modern outlook on a classic Shakespeare.

Trainspotting – A Brilliantly immersive and inherently Scottish production, with brilliant acting and a dingy and dark feel to it.

Twelfth Night – A fun, fantastical, detailed production.All the gender-bending it made the show into a colourful queer-fest, with a brilliant, and practical set.

Best Wishes into the new year, and I hope it is full of Happiness and Theatre!

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Much Ado About Nothing – Globe Theatre

I genuinely have so much love and appreciation for this play. I’ve been through a lot with it, so it’s only fitting that the first play I see at The Globe Theatre, is this one. I will warn you now, I love this play so much, that I could probably see a terrible production and still love it, so I may be a tad bias, but I’ll try my best.

This version of Much Ado is set in the 1910 Mexican revolution, which just brings so much colour to the show. In the set, costumes and the whole tone. Even though the show is primarily a comedy, the Mexican culture breathes new life into it. In the form of the music, the costumes, all the scene transitions, and the vendetta against Americans- which did make me chuckle, especially with the large volume of Americans surrounding me.

I tried to look at this production, with an extra-critical eye to compensate my love for the play. At the beginning I thought that perhaps, Matthew Needham, Benedick, and Beatriz Romilly, Beatrice, were lacking in chemistry. However, as the play moved along, I was quickly proved wrong, they were fantastic. They managed to get the balance between comedy and gravity, which is very tricky in most Shakespeare comedies. The rest of the cast cannot be dismissed at all. They all worked effortlessly together. I hope that one day I could be a part of a cast that is so in sync.

It was also surprisingly enjoyable watching it from the yard. I thought I would hate standing for three hours, but also didn’t want to shell out £40+ for a ticket. It reminded me what theatre is about, because there was 700 or so people standing in the yard together, we all ending up talking about the play. It got people talking and socialising. It’s one of the reasons Theatre was so popular in Shakespeare’s time.

And on a final, and more personal note it brought back a lot of feelings for me, of various things that have happened, and everything the play meant to me. By the end of it, I was very emotional, however, I am almost fairly certain the tears were from laughter.

I’ve tried to keep this short and sweet, but definitely go check it out if you can. And I would say the Yard tickets are the best way to go – £5, same price as lunch at McDonalds. And far better for you!