I went to see Half a Sixpence tonight at the Noel Coward Theatre, starring Charlie Stemp. Half a sixpence is a classic rag to riches story concerning humble Kent man, Arthur Kipps, and the love triangle he manages to get stuck in the middle of.
As the show started, the overture began with banjos. This made me quite dubious, a musical overture beginning with banjos? However, the music transitioned into a very classical musical genre. Which, of course, is very catchy, although not particularly unique. However a few songs did stick out to me, due to the emotional performances from the cast.
Stemp’s Kipps, is naïve, a tad daft, but extremely lovable. His childish allure, shines throughout the performance and brought so much energy to the show. I just wanted to hug him throughout the whole performance. The whole cast complimented each other, and the chemistry between all the apprentices was very playful, and their scenes were always enjoyable to watch. I really did enjoy the show; it was extremely feel good. It had me smiling throughout the whole show.
Although I do want to mention, also because I know it was a controversy during the casting process – It was extremely white. I do think Stemp was a perfect fit for Kipps, however the whole cast of 28 is seemingly white (I don’t want to assume anyone’s nationality). I don’t believe that they didn’t see any POC that were suitable for the show. And if an excuse is that there weren’t that many POC in 1904- They also didn’t break into song and dance in 1904…
Politics aside, I did enjoy the show immensely, and would recommend for a fun light hearted night. However, I would campaign for more diversity in the West End, as it is so ridiculously important, across so many shows. This one was just glaringly obvious