Julius Caesar – Donmar Warehouse

I went to see Julius Caesar, part two, of the Shakespeare Trilogy at the Donmar Warehouse, following The Tempest, yesterday.  Again I got tickets through the Young + Free initiative, which provides 25% of their tickets for free to under 25s. Julius Ceasar is about the rise and fall of the title character, and his betrayer, Brutus.

Again this production was set in a female prison, however it was a far less magical, mythical production, than The Tempest, which I think was very effective in the story it was telling. The theatre in the round aided to make a truly visually and audio immersive production. And the whole tone of the production was great Switching, from comedic, to eerie, to poetically tragic. It had a good pace, and the sound and lighting all aided to the shifts in the tone.

The whole cast were brilliant. I was so excited to see them again, as it is the same cast in The Tempest. Their connection to every audience member, I would have to say, made the production for me. Their interaction, their conviction and the true grittiness of their performance was perfect. There were moments that were just so realistic, you forgot that you were watching a performance in a theatre, you thought you were watching inmates perform Shakespeare, and it just made you really uncomfortable. Especially from Harriet Walter, who was usually the cause of this uncomfortableness. Also Jade Anouka, who played Mark Antony, brought a really playful aspect to the play. My favourite scene had to be the funeral. The rhythmic presentation, aided with the lighting and the rest of the cast, was very empowering and riling.

The production was full of different ideas and conventions, which I loved, individually. However, I felt like there were too many, and none of which, that they were really committed to. It mixed and matched too much.  I loved them all at the time, but in looking back at it, they didn’t seem to follow through in the whole production, and it just left me quite confused.

Overall, it was an amazing cast, and the director produced an extremely immersive and tense production, which was very enjoyable to watch.

Finally, I wanted to say, that I was really glad to go to the theatre yesterday, especially with all that had happened in the U.S. I thought Theatre is the perfect way to escape this, but the thing is, is every performance is influenced by outside events. As much as I tried to forget about Donald Trump, I couldn’t help but see his reflection in Julius Caesar, or at least the Caesar that Brutus paints. The rise and fall of his, and Brutus’ power and the eventual fall of Rome to Octavius, felt like a weird dystopia, that felt familiar, and oddly foreshadowing.

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